Michaela Hrabánková – Myslivecek: Oboe Quintets String Quartets (2020)
FLAC (tracks) 24-bit/96 kHz | Time – 01:04:20 minutes | 1,19 GB | Genre: Classical
Studio Master, Official Digital Download | Front Cover | © Supraphon a.s.

A prolific and gifted composer, Myslivecek wrote instrumental music, including ‘Symphonies’ and ‘Chamber Pieces’. His first cycle of ‘String Quartets’ was published in Paris in 1768, the final one in Amsterdam, shortly after his death. These works were often performed in extended formations as symphonies. Myslivecek’s ‘Quartets’ are characterised by wonderfully refined slow middle movements. Even more unique are his oboe quintets.

Josef Mysliveček has most frequently been mentioned in connection with W. A. Mozart (who, for a certain time, viewed him as a model and inspiration) and is best known for his operas. At the age of 26, he left Prague for Italy, where four years later, in Naples, he celebrated his first triumph, with the opera Il Bellerofonte (1767).

A prolific and gifted composer, Mysliveček also wrote instrumental music, including symphonies and chamber pieces. His first cycle of string quartets was published in Paris in 1768, the final one in Amsterdam, shortly after his death. These works were often performed in extended formations as symphonies. Mysliveček’s quartets are characterised by wonderfully refined slow middle movements. Even more unique are his oboe quintets.

For a long time, they were only known owing to Leopold Mozart’s reference to them in a letter to his son Wolfgang, dated October 1777 – Mysliveček wanted Leopold Mozart to offer his quintets and other pieces to the Archbishop of Salzburg. Only due to the initiative of the performers featured on this album, primarily the oboist Michaela Hrabánková and Václav Dvořák, the first violinist of the Doležal Quartet, have the missing oboe parts for three of the six quintets been retrieved in private collections across Europe.

This programme thus contains world premiere recordings of rediscovered Mysliveček works, whose significance is further enhanced by a stylistically sensitive interpretation. Our picture of “Il divino Boemo”, whom the renowned music historian Charles Burney ranked alongside such masters as Hasse, Gluck and Haydn, is now more complete – and more beautiful.

Tracklist:
1. Michaela Hrabankova – Quintet No. 1 in B-Flat Major: I. Allegro (03:32)
2. Michaela Hrabankova – Quintet No. 1 in B-Flat Major: II. Larghetto (03:49)
3. Michaela Hrabankova – Quintet No. 1 in B-Flat Major: III. Tempo di Minuetto (04:51)
4. Doležal Quartet – String Quartet in F Major, Op. 3: I. Allegro (04:41)
5. Doležal Quartet – String Quartet in F Major, Op. 3: II. Andante (06:51)
6. Doležal Quartet – String Quartet in F Major, Op. 3: III. Presto assai (02:45)
7. Doležal Quartet – String Quartet in A Major, Op. 3: I. Allegro (02:01)
8. Doležal Quartet – String Quartet in A Major, Op. 3: II. Larghetto (03:43)
9. Doležal Quartet – String Quartet in A Major, Op. 3: III. Presto (03:08)
10. Michaela Hrabankova – Quintet No. 2 in D Major: I. Vivace (03:55)
11. Michaela Hrabankova – Quintet No. 2 in D Major: II. Largo (04:44)
12. Michaela Hrabankova – Quintet No. 2 in D Major: III. Rondo. Allegretto con espressione (03:19)
13. Michaela Hrabankova – String Quartet in G Major, posth.: I. Allegro con spirito (03:38)
14. Michaela Hrabankova – String Quartet in G Major, posth.: II. Minuetto (03:00)
15. Michaela Hrabankova – String Quartet in G Major, posth.: III. Presto assai (01:58)
16. Michaela Hrabankova – Quintet No. 3 in F Major: I. Allegro (03:12)
17. Michaela Hrabankova – Quintet No. 3 in F Major: II. Larghetto (03:10)
18. Michaela Hrabankova – Quintet No. 3 in F Major: III. Presto (02:03)

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